NOTE: See the beginning of Section H for abbreviations, course numbers, and coding.

FILM2022The Art of Film (Cross-Listed: MAAC 2022)3 ch (3C) (W)

Introduces students to the language of motion pictures and to critical tools for discussing and writing about the 7th art – the art of film. By studying how movies function aesthetically, and how they become meaningful to audiences, students will acquire critical and formal analytical skills that will both enhance their appreciation for cinema and serve them more broadly as consumers and/or producers of visual culture. Topics will include mise-en-scène, framing, image composition, photographic space, colour, editing, sound, and narrative structure.

NOTE: Students can obtain credit for only one of FILM 2022 and MAAC 2022.

FILM2909International Film History (Cross-Listed: ENGL 2909)3 ch (3C) (W)

This course introduces students to major stages in the development of film as an international art. Topics include Silent Cinema, German Expressionism, Soviet Montage, Classical Hollywood, Italian Neorealism and Modernism, French New Wave, Japanese New Wave, British New Wave, Australian New Wave, Experimental Cinema, Cinema Novo, New German Cinema, Postcolonial Cinema, Bollywood, the New Hollywood, American Independent Cinema, Dogme 95, and others. NOTE: Students can obtain credit for only one of ENGL 2909 and FILM 2909. 

FILM2998Digital Film Production I (Cross-Listed: MAAC 2998)3 ch (3C)

An introduction to the fundamental concepts and procedures of visual and audio production, including the techniques and aesthetics of shooting, lighting, and editing. Over the course of the term, students will engage in a series of short exercises covering a variety of styles, genres, and modes. Taught cooperatively with the New Brunswick Filmmakers' Co-op. NOTE: Students can obtain credit for only one of the following courses: FILM 2998, MAAC 2998, FILM 3999 “Video Production”, MAAC 3999 “Video Production”, ENGL 3999 “Film and Video Production”. Students may take both FILM 2998 (or MAAC 2998) and FILM 3999 “Editing and Post-Production” (or MAAC 3999 “Editing and Post-Production”).

FILM2999Digital Film Production II (Cross-Listed: MAAC 2999)3 ch (3C)

This second course in the production sequence puts emphasis on applications of skills learned in FILM 2998/MAAC 2998 by focusing on production of several short projects in various formats. Group work and analysis of student productions constitute the main course activities. Taught cooperatively with the New Brunswick Filmmakers' Co-op. NOTE: Students can obtain credit for only one of FILM 2999, MAAC 2999, FILM 3998, MAAC 3998.

Prerequisite: MAAC 2998, or permission of the instructor. 

FILM3066Trauma and Seduction: Early German Cinema (A) (Cross-Listed: CCS 3066 and MAAC 3066)3 ch (3C) (W)

Beginning with the earliest silent movies and concluding with National Socialist propaganda films, this course offers an introduction to a prolific and important era in German film history: the Weimar Republic and pre-WWII period, 1918-1939. Our discussions will situate the films within larger political and cultural discourses. Emphasis will be placed on such topics as the cinematic response to the trauma of WWI; German national identity; expressionism and modernity; the politics of gender and sexuality; the impact of sound on film aesthetics; the relationship between cinema and other media; the ethics of film production. Films to be studied include features by directors such as Lang, Lubitsch, Murnau, Pabst, Riefenstahl, Sagan, von Sternberg, and Wiene. In English. 

NOTE: Students can obtain credit for only one of GER 3066, WLCS 3066, CCS 3066, FILM 3066, and MAAC 3066.

FILM3072Contemporary German Cinema and Media (O) (Cross-Listed: CCS 3072 and MAAC 3072) 3 ch (3C) (W)

This course covers recent German cinema and media with a focus on acclaimed productions by new directors for film, television, and streaming platforms. The creative work of women directors, and themes of gender, subjectivity, and intimacy are especially highlighted. Other topics include: The Berlin School and its visual and narrative style, the continued preoccupation of filmmakers with the nation’s past, comedy and satire in Germany, and the influence of the 1970s (the feminist film movement, the New German Cinema, etc.) on the new generation.

Prerequisite: Open to students who have completed at least 30 ch of university courses or by permission of the instructor.

NOTE: Students can obtain credit for only one of FILM 3072, GER 3072, WLCS 3072, CCS 3072, CCS 3074, and MAAC 3072.

FILM3075Framing Reality: Theory and Practice of Documentary Media (A) (Cross-Listed: MAAC 3075)3 ch (3C)

This course surveys the history and aesthetics of non-fiction filmmaking from the birth of cinema to the digital age. It will examine epistemological and ethical questions raised by documentary's encounter with reality and its attempt to present “the truth.” Films screened are drawn from an array of nations and range from the personal to the political as well as more experimental and avant-garde works. The course includes a film production component as students apply what they have learned in class by producing a short non-fiction film as a final project.

NOTE: Students can obtain credit for only one of FILM 3075 and MAAC 3075.

Prerequisite:  Open to students who have completed at least  45 ch at the university level.

FILM3082History of Canadian Cinema (A) (Cross-Listed: CCS 3082 and MAAC 3082)3 ch (3C) (W)

Focuses on the first half-century of filmmaking in Canada and the nation's long struggle to develop and sustain a functioning film industry in the shadow of Hollywood. Readings and screenings trace the history of the movies in Canada from the silent era to the 1970s. Issues raised may include Canadian/American relations, national and regional identities, tensions between art and entertainment, media and cultural policy, representation of race, class, and gender, and relation of Canadian film to other media (TV, radio, video) and other arts (painting, music, literature) in Canada.

NOTE: Students can obtain credit for only one of CCS 3082, FILM 3082, WLCS 3082, and MAAC 3082.

Prerequisite: Open to students who have completed at least 45 ch, or with permission of the instructor.
FILM3183Creative Writing: Screenwriting for Short Formats (Cross-Listed: ENGL 3183)3 ch (3WS)(LE)

This course guides writers through the basics of short format screenplay structures and introduces them to basic story, character, and dialogue principles.  Students will be exposed to a wide range of short films in a variety of genres and forms so that they can explore the limits and possibilities of briefer forms of cinematic storytelling.

NOTE: Students can obtain credit for only one of FILM 3183 and ENGL 3183.
FILM3186Creative Writing: Feature Screenplay (Cross-Listed: ENGL 3186)3 ch (3WS)(LE)

This intensive course guides writers through the basics of feature screenplay structure, character principles, archetypal storytelling, writing and rewriting strategies, and ‘the biz.’ Classes are a combination of lectures, discussion, and workshops.

NOTE: Students can obtain credit for only one of FILM 3186 and ENGL 3186.

Prerequisites: FILM 3183 or ENGL 3183, or equivalent writing experience, with permission of the instructor.

FILM3204Music and Cinema (Cross-Listed: MUS 3204)3 ch
A practical and theoretical examination of the role of music in cinematic narrative from the silent film to the 21st century. The course will examine the origins of the music-cinema relationship from the misnamed “silent film era” through the development of synchronized sound-film systems and the use of music in a selection of genres including film noir, musical, science fiction, romantic comedy, and suspense films. Music video production processes will be explored including the use of narrative storytelling techniques, as well as animation, Claymation, multimedia and experimental methods of creating images to synchronize with existing soundtracks. NOTE: Students can obtain credit for only one of FILM 3204 and MUS 3204.


FILM3903Film Theory (Cross-Listed: ENGL 3903)3 ch (3C) (W)

Engage in the history of film theory,with how filmic experiments arose, and with the legacy of these ideas in film. The history of film has also been the history of exploring what unique powers film has to reflect, challenge, and alter our perceptions of the world. Explore the potential of moving images through our own creative and experimental projects. No filmmaking or editing experience required. NOTE: Students can obtain credit for only one of ENGL 3903 and FILM 3903

FILM3907Film Genre (O) (Cross-Listed: ENGL 3907)3 ch (3C) (W)

The Film Genre course explores the history, iconography, and socio-cultural significance of one particular film genre by means of a number of examples. The specific focus of the course varies from year to year.

NOTE: Students can obtain credit for only one of FILM 3907 and ENGL 3907. 

FILM3908Zombies in Film (O) (Cross-Listed: ENGL 3908)3 ch (3C) (W)
Zombie films make up one of the longest living sub-genre of horror though representations of zombies have evolved from exoticized monstrous figures from Haiti to cannibalistic brain eaters and eventually to infectious bodies carrying epidemics. This course explores the evolution of zombies from studio pictures starring Bela Lugosi to B-movies featuring fighting ninjas and murdering cheerleaders through to modern film zombies who look uncannily like the unconscious bored populace and/or become loving family pets. Zombies are never simply undead; they always reflect something about our changing lives and fears. These films also permit us to explore the murky spaces between high and low culture, the history and development of horror films as a genre, and the aesthetics of fear. NOTE: Students can obtain credit for only one of FILM 3908 and ENGL 3908.
FILM3916Canadian Film since 1967 (O) (Cross-Listed: ENGL 3916)3 ch (3C) (W)
Through the study of various representative Canadian filmmakers and prevalent genres, this course explores the roles that regionalism, commercialism, and independent filmmaking play in defining national ideas about Canadian cinema and film audiences. This course concurrently traces developments in Canadian film production, policy, funding, distribution, and use since the creation of Telefilm (formerly CFDC) and how these funding and cultural policies have affected and responded to the central themes and issues facing Canadian filmmakers and audiences. NOTE: Students can obtain credit for only one of ENGL 3966, FILM 3916, and ENGL 3916.
FILM3917National Cinemas (O) (Cross-Listed: ENGL 3917)3 ch (3C) (W)

The National Cinemas course explores significant historical periods, movements, styles, film theories, directors, and topics in the development of particular national and/or transnational cinemas. The specific focus of the course varies from year to year.

NOTE: Students can obtain credit for only one of FILM 3917 and ENGL 3917.

FILM3918The French New Wave (O) (Cross-Listed: ENGL 3918)3 ch (3C) (W)
One of the most exciting movements in cinema, the French New Wave radically altered film, influencing and informing new kinds of cinema around the world and changing how we talk about and study films. The films of filmmakers like François Truffaut, Claude Chabrol, and Jean-Luc Godard continue to inspire contemporary filmmakers and critics. Through watching and analyzing their first films, reading their writings in Cahiers du Cinéma, and exploring how film historians interpret this period now, we will attempt to understand the artistic, social, economic, and historical forces that shaped the film movement and filmmaking in the decades to follow. NOTE: Students can obtain credit for only one of FILM 3918 and ENGL 3918.
FILM3999Editing and Post Production (A) (Cross-Listed: MAAC 3999)3 ch (3C/WS) (LE)

This course introduces students to the processes and technical aspects of video production. Topics include videography fundamentals, digital camera techniques, location sound recording, lighting for video, scriptwriting for documentary and dramatic productions, post-production picture editing and finishing. Various scriptwriting, shooting, and editing exercises are done in a small group environment. Taught cooperatively with the New Brunswick Filmmakers’ Co-op. NOTE: Students who already have credit for ENGL 3999 “Film and Video Production” cannot obtain credit for FILM 3999 "Editing and Post Production" or MAAC 3999

FILM4000Digital Film Production III (Cross-Listed: MAAC 4000)6 ch (6WS)

This full year course takes students through the entire process of production of a professional quality short film, from fundraising, budget planning, and pre-production work through the shoot to the final edit and on to the marketing and submission of the film to festivals. Students work together as a production team, taking on a variety of responsibilities while supervised by the instructor.

Prerequisite: MAAC /FILM 2999 or permission of the instructor.

FILM4001Advanced Production (Cross-Listed: MAAC 4001)3 ch (3C/WS) (LE)

Students produce more complex films, developing a project from beginning to end, working on each other's projects, and gaining hands-on experience in a variety of skilled positions on a film's crew. NOTE: Students can obtain credit for only one of FILM 4001 and MAAC 4001.

Prerequisite: FILM 2999, MAAC 2999 or permission of the instructor. 

FILM3455Latin American Cinema (Cross-listed: MAAC/CCS 3455)3 ch
Provides students with a background in Latin American cinema, emphasizing the most productive centres such as Mexico, Cuba, Brazil, and Argentina. Equal emphasis is placed on both cinematographic and thematic analysis of films studied. Cultural and historical context will be provided. Language of instruction is English. Students taking this course to fufill a Major or Honours requirement in Spanish must submit required work in Spanish. Students who have completed WLCS 3455, o SPAN 3455 may not receive credit for CCS 3455. Prerequisites:  30 credit hours of university courses.
FILM3772Film Directors (A) (Cross-listed MAAC 3772)3 ch (3S) (W)
Provides a concentrated study of the work of slected major directors of narrative, documentary, and experimental cinema. Concepts and theories of authorship are incorporated into close analysis of selected bodies of work. The films are considered in terms of their thematic and stylistic consistency and variation as well as biographical, social, and political factors.  Prerequisite: MAAC/FILM 2022