Mark Jarman

Professor

MFA

English

Carleton Hall 228-1

Fredericton

mjarman@unb.ca
1 506 458 7398



Mark Anthony Jarman is the author of 19 Knives, My White Planet, New Orleans is Sinking, Dancing Nightly in the Tavern, Knife Party at the Hotel Europa and the travel book Ireland's Eye. His novel, Salvage King Ya!, is on Amazon.ca's list of 50 Essential Canadian Books and is the number one book on Amazon's list of best hockey fiction.  He has been short-listed for the O. Henry Prize and Best American Essays, he won a Gold National Magazine Award in nonfiction, has twice won the Maclean-Hunter Endowment Award, won the Jack Hodgins Fiction Prize, and has been included in The Journey Prize Anthology and Best Canadian Stories.

He has published recently in Walrus, Canadian Geographic, Hobart, The Barcelona Review, Vrig Nederland, and reviews for The Globe and Mail. He is a graduate of The Iowa Writers' Workshop, a Yaddo fellow, has taught at the University of Victoria, the Banff Centre for the Arts, and now teaches at the University of New Brunswick, where he is fiction editor of The Fiddlehead.

His collection of stories, Knife Party at the Hotel Europa, was published in 2015, Czech Techno (Stories of Music) in 2020, and a travel book, Touch Anywhere to Begin, in 2022. He edited Best Canadian Stories 2023 and published Burn Man, Selected Stories, in fall 2023.”

A. S. BYATT on Mark Jarman:
At last. It is very irritating to discover a wonderful book published too long ago to be an official "book of the year." I was talking to a German friend, a few years ago, and we were trying to think of the greatest short story ever. We agreed enthusiastically that it was Henry James's "The Beast in the Jungle." Martin then said reflectively, "Unless it is 'Burn Man on a Texas Porch'." I had never heard of that, nor of its author, Mark Anthony Jarman, a Canadian. (Canadians specialise in great short stories - Munro, Atwood...). Jarman's collection is called 19 Knives (House of Anansi Press), and it is brilliant. The writing is extraordinary, the stories are gripping, it is something new. And now I can say so.  The Guardian, November 24, 2007